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      <image:caption>Louis Kahn, Sher-e-Bangla Nagar, Dacca, Bangladesh Building of the National Parliament: plan and elevation sketch, 1963 Photo © 2020 Estate of Louis I. Kahn</image:caption>
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      <image:caption>Gordon Matta-Clark, Splitting, 1974, Englewood, New Jersey Photo © Centre Canadien d'Architecture/cca.qc.ca</image:caption>
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      <image:caption>Exhibition view: La nueva onda del silencio at El cuarto de máquinas, 2017. Photo © Sergio López</image:caption>
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      <image:caption>Exhibition view: Modos de ver, fifth edition of the Bancomer MACG program. Museo de Arte Carrillo Gil, 2018. Photo © Araceli Limón</image:caption>
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      <image:caption>Yolanda Ceballos, 050916-200419, 2019. Plaster, wire, steel and water, variable measures. Photo © Sergio López</image:caption>
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      <image:caption>Robert Smithson, Line of Wreckage, 1968, Bayonne, New Jersey Photo © Holt/Smithson Foundation, licensed by VAGA at ARS, New York</image:caption>
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      <image:caption>Robert Smithson, Spiral Jetty, 1970 Photo: Gianfranco Gorgoni © Holt/Smithson Foundation, licensed by VAGA at ARS, New York</image:caption>
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      <image:caption>Robert Smithson, Partially Buried Woodshed, 1970 Photo © Image taken from the book Field Trips: Bernd and Hilla Becher / Robert Smithson (Porto: Museu Serralves, 2002).</image:caption>
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      <image:caption>Abraham Cruzvillegas, Indigent and Indigenous Self-portrait Pretending to Be Discrete at the Mall of America, 2012. Photo © Abraham Cruzvillegas, courtesy of kurimanzutto</image:caption>
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      <image:caption>Lygia Clark, Bicho de bolso, 1966, metal plates. Photo © Tate Gallery</image:caption>
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      <image:caption>Alberto Giacometti, Woman with her Thraot Cut, 1932.  Solomon R. Guggenheim Foundation, Peggy Guggenheim collection, 1976, Venice, Italy Photo © 2018 Artists Rights Society (ARS), New York/ADAGP/FAAG, Paris</image:caption>
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      <image:caption>René Magritte, René Magritte possing with La ressemblance at Mimosas House, 1954, MRBAB/AACB, inv. 39739 ‍ Project sketch for L’évidence éternelle with attached letter from Magritte to Alexander Lolas in 1954 Photo © Charly Herscovici y ©Menil Foundation</image:caption>
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      <image:caption>Exhibition view: Cinco de septiembre de dos mil dieciséis, 2019. Photo © Sergio López</image:caption>
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